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We begin our 2021 White House holiday decor honoring the Gift of Service. This year has been defined by uncommon acts of compassion, bravery, and selflessness by so many, and we celebrate their service and sacrifice.
Last Holiday Trum BS mp4
The Red Room captures the joy and wonder of the holiday season by celebrating the Gift of the Performing Arts. Brass instruments hang from the mantel against the rich, red, silk wall coverings. Ballet slippers, tap shoes, and musical notes dance around the tree like sugarplum fairies.
Floating candles the light we carry out into the world. The hallway alcoves and tree displays depict wintry scenes of life within our towns and cities, reflecting the solace of faith, the lasting bonds of community, and the perseverance of the American spirit. Just like the shooting stars in the night sky, we are encouraged by the brightness of tomorrow and the hope it can bring.
In 2014, the collaboration with ZKM Zentrum für Kunst & Medien, Karlsruhe, Germany, titled HIGH PERFORMANCE. Time-based media art since 1996, explored video as a form of scenic art, strongly influenced by the so-called performative turn which pervaded not only the humanities but also society and art at the time. The exhibition, curated by Bernhard Serexhe and Julia Stoschek, was divided into sections, investigating concepts of body and soul, public space, environment, and virtual reality through different artistic positions. It was one of the largest projects to take place outside the JULIA STOSCHEK COLLECTION space and featured over 25 artists, such as Doug Aitken, Francis Alÿs, Allora & Calzadilla, Trisha Baga, John Bock, Paul Chan, Keren Cytter, Simon Denny, Cyprien Gaillard, Christian Jankowski, Mike Kelley, Klara Liden, Helen Marten, Mika Rottenberg, Ryan Trecartin, Andro Wekua, Tobias Zielony, and others.
In conjunction with beuys 2021. 100 years of joseph beuys, the JULIA STOSCHEK COLLECTION will present the 16mm film Soziale Plastik (Social Sculpture, 1969) by Lutz Mommartz at the cinema of JSC Düsseldorf. The film is also available permanently in the Collection Catalog and in the JSC Video Lounge.
Soziale Plastik, which is part of the exhibition beuys 2021, will be presented along with the feature film JUPP, WATT HAMWER JEMAHT? (Yikes, Whatever Have We Done?, 2019) by the filmmaker Jan Bonny and the artist Alex Wissel at the cinema of the JULIA STOSCHEK COLLECTION in Düsseldorf. Soziale Plastik will be shown every Sunday from 11:00 a.m. to 4:00 p.m., and JUPP, WATT HAMWER JEMAHT? will be shown every Sunday at 4:00 p.m.
The three-channel video installation The Experiment (2009), which consists of the videos Forest, Cave and Greed, was first screened in 2009 at the 53rd Venice Biennale. While Greed alludes with Biblical symbols to power, greed and sexual violence within the Catholic Church, Cave and Forest focus on issues of exhibitionism, voyeurism and sadism. At first glance, the colorful figures in painted scenery suggest a cute, funny scene. But the idyll is deceptive: Behind the facade, a world seemingly beyond good and evil comes to light, revealing the abysses of society in a brutally honest fashion. The Plasticine figures live out their sexual desires or are tortured with great brutality. In this way the scenes trigger in the viewer both a sense of fascination with something forbidden and at the same time kindle a sense of repugnance.
While the exhibition 100 YEARS (VERSION #1, DUESSELDORF) presents a retrospective of the last century in action and performance art, the event series NUMBER THREE: HERE AND NOW, is all about the live experience of the moment.
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First, it would be wise to point out that the bike is not exactly lacking in the firepower department, and probably the reason why McGuinness's smile remains wry. It might look like a street bike, but the Honda sat burbling by the plastic table is a TT Legends Honda CBR1000RR Fireblade with 210bhp and 88lb ft. It weighs in at 165kg, and is capable of 200mph from the relatively tiny n/a 1.0-litre four-pot. Power-to-weight is an astonishing 1,273bhp per tonne. That, in case you were under any illusion, is a lot.
The Stig straps into the car. The McLaren is fired up and... we wait. And wait. For tyre warm-up, for multiple checks by myriad people. The bike seems insanely simple compared to the faff of the GT. It takes an age, but, at last, we're ready. For a whimper rather than a bang, as it turns out, because The Stig's start is nowhere near as impressive as you might expect. GT racing uses rolling starts, so our standing-start directive has really scuppered the McLaren. It chugs away from the line no quicker than walking pace. It's looking like a leather romper-suit walkover...
It's still slightly hesitant - I wonder whether there's enough heat in the tyres yet - but the revs don't flicker as much as John's. And as it comes towards us, we hear the noise. Where the Honda howls and screams, the McLaren's turbo is actually louder than the engine, whistling like an atomic kettle. Neat and tidy through the last two corners, and across the line.
From capturing holiday memories on a family trip to producing films in a big studio, more and more people are growing their interest in creating videos. It is undeniable that capturing those precious moments is important, but mastering and using video-editing software so as to get the best out of footage is also crucial.
However, if you are a newcomer to video editing, and you are not sure how long your passion for video creating will last, then I suggest that you can start your learning curve with iMovie, which shares a variety of similarities with Final Cut Pro but is much easier to get your hands on. More importantly, iMovie is free and also available on other Apple products such as the iPad.
So it shouldn't surprise you to learn that the latest product of this clinically efficient organisation, the MP4-12C, is the fastest accelerating road-legal car I've ever driven; has an incredible suspension which delivers comfort, exceptional road holding and amazing traction; is the lightest car in its class; has fantastic brakes; breathes fire; can ride a unicycle; and, almost inconceivably, it has a Phd in Quantum Physics from Oxford University. Strictly speaking the last three aren't standard features, but if you ask nicely, you could probably specify them as options.
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Their schedule in the early part of this weekend will be adapted to help them deal with jumping forward +6h, and their diet with take into account first recovery after the last race then catering for the conditions here in Qatar.
A: For the last few years, incoming drivers have inherited whichever side of the garage was free. When Lando and Carlos Sainz started at the same time, they took the sides their race engineers, Tom Stallard and Will Joseph, were already working on. 041b061a72